COGNITIVE METAPHOR AS A COMPONENT OF THE WRITER'S INDIVIDUAL STYLE

Authors

  • Sabrina Ilyosovna Tolibova
  • Farrukh Musayevich Usmanov

Keywords:

cognitive metaphor, conceptual metaphor, source domain, target domain, mapping, embodied experience, cognitive structure, metaphorical framing, metaphorical domains

Abstract

This paper explores the role of cognitive metaphor in shaping an individual writer's literary style. Drawing on conceptual metaphor theory, the study demonstrates how metaphors are not merely decorative linguistic devices but cognitive tools that structure perception, emotion, and expression. Through a comparative analysis of English, Uzbek, and American literary figures—including Emily Dickinson, William Faulkner, Sylvia Plath, Abdulla Qodiriy, Cho‘lpon, and O‘tkir Hoshimov—the paper illustrates how each writer employs recurring metaphorical domains to articulate abstract ideas such as time, selfhood, emotion, and love. The study concludes that understanding metaphor as a cognitive and cultural phenomenon deepens our insight into literary meaning and enhances interdisciplinary approaches to stylistic analysis.

References

Dickinson E. “Hope is the thing with feathers.” In collected poems, posthumously published. 1891.

Faulkner W. The Sound and the Fury. Modern Library Classics edition. Originally published in 1929.

Plath S. Tulips. In: Ariel, Faber & Faber, London. 1965.

Qodiriy A. O‘tgan kunlar (Days Gone By). Tashkent: Uzbekistan Publishing House. 1926.

Cho‘lpon A. Kecha va Kunduz (Night and Day). Tashkent: Fan Publishing. Published posthumously, 1936.

Hoshimov O. Dunyoning ishlari (The Ways of the World). Tashkent: Yozuvchi Publishing. 1980s.

Lakoff G., Johnson M. Metaphors We Live By. University of Chicago Press. 1980.

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Published

2025-04-29